Korhan Karaoysal’s portraits of men posed with their customized cars are an interesting look at Turkey’s car culture. See more here.

Korhan Karaoysal’s portraits of men posed with their customized cars are an interesting look at Turkey’s car culture. See more here.

Portrait of Maria, 1985—Michael Riley(1960–2004)

Portrait of Maria, 1985
—Michael Riley
(1960–2004)

The body of 10-month-old Palestinian infant Haneen Tafesh lies in the morgue of Shifa hospital in Gaza City, on November 15, 2012. According to hospital reports, Tafesh died from wounds caused by an earlier Israeli strike.—AP Photo/Hatem Moussa
“Those who associate Islam with terrorism close their eyes in the face of mass killing of Muslims, turn their heads from the massacre of children in Gaza. For this reason, I say that Israel is a terrorist state, and its acts are terrorist acts.”—Turkish Prime Minister Tayyip Erdogan

The body of 10-month-old Palestinian infant Haneen Tafesh lies in the morgue of Shifa hospital in Gaza City, on November 15, 2012. According to hospital reports, Tafesh died from wounds caused by an earlier Israeli strike.
—AP Photo/Hatem Moussa

“Those who associate Islam with terrorism close their eyes in the face of mass killing of Muslims, turn their heads from the massacre of children in Gaza. For this reason, I say that Israel is a terrorist state, and its acts are terrorist acts.”
Turkish Prime Minister Tayyip Erdogan

Katar, 2012—Andreas Gursky 

AO: The show includes a number of large-scale prints and photographs, including a daunting image entitled Katar (Qatar), taken on the inside of an enormous, gold-plated gas tank aboard a shipping vessel off the coast of the small Arabic nation.  The show also contains a number of images created from a selection of satellite images and complexly layered landscapes bordering on the surreal.

Katar, 2012
—Andreas Gursky 

AO: The show includes a number of large-scale prints and photographs, including a daunting image entitled Katar (Qatar), taken on the inside of an enormous, gold-plated gas tank aboard a shipping vessel off the coast of the small Arabic nation.  The show also contains a number of images created from a selection of satellite images and complexly layered landscapes bordering on the surreal.

Andrew Burns, Australia House, Niigata Prefecture, Japan 2012

Domus: The Australia House received first place from a field of 154 entries in an international design competition chaired by Tadao Ando, who commented: “It is difficult to form a triangle. However, it could create interesting architecture since it is difficult. I find the approach to the house attractive and different elements well arranged. The idea of dealing with snow is thoughtful, considering that the site is located in a heavy snowfall region. It would be fantastic if only the triangular roof was visible as the rest of the house is covered with three-metre-high snow.”

Go and read The Fight that Wouldn’t Stay Fixed  by Gilbert King, it’d make a great film.

On the afternoon of September 22, fight fans packed the velodrome to see Carpentier defend his title. Nicknamed the “Orchid Man” for the corsages he often wore with his tailored suits, Carpentier had been fighting professionally since he was  14. Although he was coming off a failed attempt to win Dempsey’s heavyweight title, he’d helped secure boxing’s first million-dollar gate. Fighting again as a light-heavyweight, the Frenchman’s future was still bright—so bright that Carpentier’s handlers were taking no chances.  They offered Battling Siki a bribe to throw the fight. Siki agreed, under the condition that he “didn’t want to get hurt.” What followed was one of the strangest bouts in boxing history.

Although Siki later admitted that the fight was rigged, there’s some question as to whether Carpentier knew it. Early in the first of 20 scheduled rounds, Siki dropped to a knee after Carpentier grazed him, and then rose and began to throw wild, showy punches with little behind them. In the third, Carpentier landed a powerful blow, and Siki went down again; when he got back on his feet, he lunged at his opponent head first, hands low, as if inviting Carpentier to hit him again.  Carpentier obliged, sending Siki to the canvas once more.

At that point, the action in the ring turned serious. Siki later told a friend that during the fight, he had reminded Carpentier, “You aren’t supposed to hit me,” but the Frenchman “kept doing it. He thought he could beat me without our deal, and he kept on hitting me.”

Suddenly, Battling Siki’s punches had a lot more power to them. He pounded away at Carpentier in the fourth round, then dropped him with a vicious combination and stood menacingly over him. Through the fourth and into the fifth, the fighters stood head to head, trading punches, but it was clear that Siki was getting the better of the champion. Frustrated, Carpentier charged in and head-butted Siki, knocking him to the floor. Rising to his feet, Siki tried to protest to the referee, but Carpentier charged again, backing him into a corner. The Frenchman slipped and fell to the canvas—and Siki, seemingly confused, helped him get to his feet. Seeing Siki’s guard down, Carpentier showed his gratitude by launching a hard left hook to Siki’s head just before the bell ended the round. The Senegalese tried to follow Carpentier back to his corner, but handlers pulled him back onto his stool.

At the start of round six, Battling Siki pounced. Furious, he spun Carpentier around and delivered an illegal knee to his midsection, which dropped the Frenchman for good. Enraged, Siki stood above him and shouted down at his fallen foe. With his right eye swollen shut and his nose broken, the Orchid Man was splayed awkwardly on his side, his left leg resting on the lower rope.

Siki returned to his corner. His manager, Charlie Hellers, blurted out, “My God. What have you done?”

“He hit me,” Siki answered.

Referee M. Henri Bernstein didn’t even bother counting. Believed by some to be in on the fix, Bernstein tried to explain that he was disqualifying Siki for fouling Carpentier, who was then being carried to his corner. Upon hearing of the disqualification, the crowd unleashed a “great chorus of hoots and jeers and even threaten[ed] the referee with bodily harm.” Carpentier, they believed, had been “beaten squarely by a better man.”

Amid the pandemonium, the judges quickly conferred, and an hour later, reversed the disqualification. Battling Siki was the new champion.

Siki was embraced, just as Carpentier had been, and he quickly became the toast of Paris. He was a late-night fixture in bars around the city, surrounded by women, and he could often be seen walking the Champs-Elysees in a top hat and tuxedo, with a pet lion cub on a leash.

Brace yourself for Bill Paxton’s mega 80s band Martini Ranch performing the extended version of Reach. Music video directed by James Cameron.

There’s a pretty incredible collection of photojournalism from the Vietnam war at EDIS, there’s more from Horst Faas over here

The Imperial Fruit Sucking Moth looks set for the Day of the Dead.

Wiki: The Imperial Fruit Sucking Moth (Phyllodes imperialis) is a moth of the Noctuidae family. The species can be found in north-eastern Queensland to northern New South Wales, Papua New Guinea, Solomons, Vanuatu and New Caledonia.

The Imperial Fruit Sucking Moth looks set for the Day of the Dead.

Wiki: The Imperial Fruit Sucking Moth (Phyllodes imperialis) is a moth of the Noctuidae family. The species can be found in north-eastern Queensland to northern New South Wales, Papua New Guinea, Solomons, Vanuatu and New Caledonia.

Here’s an example of a great cover and accompanying short film for a what is set to be a great new book. This cropped up over at the great blog A Casual Optimist.

Ian Cobain’s exposure of Britain’s secret history of torture Cruel Britannia is published by Portobello Books. The starkly brilliant cover (on which the video is based) was designed by FUEL.

Here’s an example of a great cover and accompanying short film for a what is set to be a great new book. This cropped up over at the great blog A Casual Optimist.

Ian Cobain’s exposure of Britain’s secret history of torture Cruel Britannia is published by Portobello Books. The starkly brilliant cover (on which the video is based) was designed by FUEL.

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